CIC: Colour Chart, the innovative guide to help you to choose our colours. A convenient and intuitive system based on decades of experience with Clinita techniques. It matches the customer’s phototype with values, temperatures and colour compositions enabling better and safer choices, thus avoiding mistakes in the choice of colours and colour alterations.
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Beautiful rich black eyeliner or lash enhancement. Appropriate for most Fitzpatrick skin types. It will offer dramatic contrast against light eye colour. A beautiful black eyeliner colour. Ideal for shades.
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Dark chocolate colour for all eye- brow techniques. It can be used with any colour to darken and intensify it.
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Sophisticated balanced brown. An answer for many needs. Embracing and not cold.Also ideal as a mix for hazel or brown areolas.
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Soft brown for natural effects. Ideal for simulating the hairline. Ideal for natural medium blonde tending to cold tones, Fitzpatrick skin type 1-3. An elegant shade that you can use with all techniques, from the most delicate shades to hyper realistic hair.
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A warm dark brown excellent for use on eyebrows but also on areolas. Ideal for skin tones ranging from Fi- tzpatrick scale V to IV.
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A fine, medium-blonde for eyebrows. Fitzpatrick scale 1 to 3. It can be mixed with Summer Truffle to raise the value keeping it cold or Chocolate Pro 2202 to raise the value in a velvety warm shade.
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A garnet red ideal to increase the value of any lips colour. Suitable for shading and volumes on nipples.
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A lively and fresh nude with a pink effect for customers who want natural lips, turgid and sensual. It can be used to add bright and floral reflections to the nude colours and to illuminate cold undertone lips.
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The nude par excellence for a really super natural effect. It can be used as a base to create infinite shades or alone for an effect of invisible corrections.
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An orange red, vibrant and fresh, ideal for lips with cold mucous membranes or to warm the chosen colour.
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A warm coral colour suitable for bri- ghtening cool-toned lips. Can be used to warm up or soften grayish tones.
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Velvet and purple, slightly cold but ideal for shadow and volumes games, to contrast and balance vibrant and bright colors.
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A dark, deep and Mediterranean brown. It tends towards cold, suitable for skins with golden undertones. It is suggested to add a warmertone to make it more harmonious on skins with Fitzpatrick V and VI.
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Sophisticated balanced brown. An answer for many needs. Embracing and not cold.Also ideal as a mix for hazel or brown areolas.
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Soft brown for natural effects. Ideal for simulating the hairline. Ideal for natural medium blonde tending to cold tones, Fitzpatrick skin type 1-3. An elegant shade that you can use with all techniques, from the most delicate shades to hyper realistic hair.
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A warm dark brown excellent for use on eyebrows but also on areolas. Ideal for skin tones ranging from Fi- tzpatrick scale V to IV.
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A fine, medium-blonde for eyebrows. Fitzpatrick scale 1 to 3. It can be mixed with Summer Truffle to raise the value keeping it cold or Chocolate Pro 2202 to raise the value in a velvety warm shade.
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A balanced and versatile brown for the different needs of the professio- nal. A must-have suitable for many techniques.
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Obtaining a soft (Mauve) Sienna tone and warming mucous membranes which are cold and purplish, A garnet red ideal to increase the value of any lips colour. Suitable for shading and volumes on nipples.
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A lively and fresh nude with a pink effect for customers who want natural lips, turgid and sensual. It can be used to add bright and floral reflections to the nude colours and to illuminate cold undertone lips.
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The nude par excellence for a really super natural effect. It can be used as a base to create infinite shades or alone for an effect of invisible corrections.
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An orange red, vibrant and fresh, ideal for lips with cold mucous membranes or to warm the chosen colour.
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A warm coral colour suitable for bri- ghtening cool-toned lips. Can be used to warm up or soften grayish tones.
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Velvet and purple, slightly cold but ideal for shadow and volumes games, to contrast and balance vibrant and bright colors.
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A dark, deep and Mediterranean brown. It tends towards cold, suitable for skins with golden undertones. It is suggested to add a warmertone to make it more harmonious on skins with Fitzpatrick V and VI.
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Elegant and velvety hue of brown. It suits many undertones due to its neutrality. Natural shades even on lighter skin.
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Strong but soft brown, adaptable for different types. It can be made more intense with Bollullo and Stromboli. Usable with different techniques.
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A refined and flexible taupe for mature people with grizzled hair and for natural blondes. It can be used with almost all Ever Brow pigments.
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A soft dark blonde with balanced cold shades. Interesting 3D effects can be obtained by combining Papakolea with Marzamemi increasing the temperature or with Bollullo or Big Sur keeping more neutral and colder temperatures.
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Spicy coppery with reflections of antique gold. It can be mixed to warm other shades tending to cold. Perfect for red hair.
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Sophisticated balanced brown. An answer for many needs. Embracing and not cold. Also ideal as a mix for hazel or brown areolas.
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Technical colour for correction to neutralize purplish red. It can be used alone or mixed with the cho- sen colour for direct correction in a single session.
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Medium golden brown. It can be used as a mix to create colours for areola. Mixing with other colours in the range to move the value without cooling.
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A copper colour that allows to warm up and counteract grayish/bluish and greenish tones.
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A honey colour for dark blond eye- brows. Useful to obtain amber tones, to correct tones tending to eggplant colour and to create particular sha- des of areola on Fitzpatrick 2 and 3.
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A dark yellow mustard to neutralize purple/violet brows. Add to brow co- lors as needed in case of retouch on previous tattoos, faded into purple, in order to obtain a natural correction.
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Spicy coppery with reflections of an- tique gold. It can be mixed to warm other shades tending to cold. Perfect for red hair.
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A honey colour for dark blond eye- brows. Useful to obtain amber tones, to correct tones tending to eggplant colour and to create particular sha- des of areola on Fitzpatrick 2 and 3.
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Technical colour for correction to neutralize purplish red. It can be used alone or mixed with the cho- sen colour for direct correction in a single session.
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An extremely flexible neutral beige. It can be used as a base in the recon- structive dermopigmentation of the nipple areola complex or to slightly lighten some colours.
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Recommended for camouflage, nip- ple and areola procedures and as a mix to illuminate or lighten skin sha- des. Yellow base that doesn’t fade in orange tones.
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A dark yellow mustard to neutralize purple/violet brows. Add to brow co- lors as needed in case of retouch on previous tattoos, faded into purple, in order to obtain a natural correction.
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A warm pumpkin colour, recom- mended as an additive for blonde or warm auburn eyebrows. Recom- mended for neutralizing cool grays and colours that are too dark and tend towards bluish tones.
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A warm dark brown excellent for use on eyebrows but also on areolas. Ideal for skin tones ranging from Fi- tzpatrick scale V to IV.
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A garnet red ideal to increase the value of any lips colour. Suitable for shading and volumes on nipples.
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Chromatic neutral with a green under- tone. Recommended for use to correct reddish discolorations and cool down tones that are too warm. For camoufla- ge, corrections and reconstructions.
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Reinforces the natural colour of the lips by intensifying the turgidity of the mucous membranes. To be used pure for intense but beautifully vei- led shades.
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A honey colour for dark blond eye- brows. Useful to obtain amber tones, to correct tones tending to eggplant colour and to create particular sha- des of areola on Fitzpatrick 2 and 3.
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A honey colour for dark blond eye- brows. Useful to obtain amber tones, to correct tones tending to eggplant colour and to create particular sha- des of areola on Fitzpatrick 2 and 3.
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An extremely flexible neutral beige. It can be used as a base in the recon- structive dermopigmentation of the nipple areola complex or to slightly lighten some colours.
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Powdery shade, suitable for recon- structive dermopigmentation as a base for Fitzpatrick areola 1/2. Mix with Alabaster PRO and Honey PRO.
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Cinnamon colour, ideal for natural effects or to create sophisticated and countless shades of colours.
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Medium golden brown. It can be used as a mix to create colours for areola. Mixing with other colours in the range to move the value without cooling.
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Recommended for camouflage, nip- ple and areola procedures and as a mix to illuminate or lighten skin sha- des. Yellow base that doesn’t fade in orange tones.
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A warm pumpkin colour, recom- mended as an additive for blonde or warm auburn eyebrows. Recom- mended for neutralizing cool grays and colours that are too dark and tend towards bluish tones.
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